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National Features >
City Pages
Meet the man inside the glowing Spandex unitard, who refuses to be a "geek pinata."
By Ben Palosaari
Riverfront Times
The nation's best known--and perhaps only--demonologist keeps up the
struggle against Satanic spirits.
By Aimee Levitt
Miami New Times
Sensing the end of an era, bottled-water companies spend billions to keep an eco-unfriendly industry alive.
By Lee Klein
Village Voice
A man fascinated by a violent 1930s strike solves a mystery with the help of a mobster's musician.
By Tony Ortega
Sergio Mendes
Encanto (Concord)
Published on June 25, 2008
Brazilian-born keyboardist, composer, and producer Sergio Mendes has spent four decades Americanizing his country's samba and bossa nova while Brazilianizing American pop. In 2006, he released Timeless, an all-star project (co-produced by will.i.am) that introduced classics of Brazilian popular music to the iPod generation. Now, Encanto (Enchantment), recorded in Rio de Janeiro and Bahia, features even more all-stars, with an international cast including the Colombian star Juanes, Belgium's Zap Mama, and Italian rapper Jovanotti. A funky, Carioca-cadenced remix of Burt Bacharach's "The Look of Love" features a half-rap vocal from Fergie with will.i.am on the assist, while Antonio Carlos Jobim's "Agua de Beber" is transported from Corcovado to California with the help of Brazilian guitar whiz Toninho Horta. Other Jobim jewels include the Ledisi-laced, house-friendly "Waters of March"; Natalie Cole's jazzy, Ella-licious rendition of "Somewhere in the Hills"; and "Dreamer," with original Brazil 66 member Lani Hall's achy-breaky vocals intertwining with husband Herb Alpert's Milesian trumpet. Throughout, Mendes' finessed Fender Rhodes provides fills and thrills with bop-ish brevity while he gives us the best of both hemispheres.